BUCAREST – Teatro Jon Dalles (Università Popolare delle Arti) Fondazione Geo Barton dal 28 al 30 Novembre 2016

With this interpretative research lab, I would like to access to very complex situations and emotions through the means of the theater, trying to get as close as possible to a "truth" of other eras, far from the styles and fashions of the current acting methods. Addressed to professional actors, it seeks the refinement of basic acting techniques, (vocal technique, movement studies, acting) through practical exercises.

Laboratory of acting and vocal technique by Daniele Salvo and Melania Giglio on the Bacchae of Euripides

Teatro Ciro Menotti in Milan 23 - 26 Novembre 2016.

Our voice is unique. As our DNA. There is not a voice equal to another. With this intensive workshop, we hope to propose a trip to the actors that will lead them, at the end, to a more complete understanding of their capabilities, that they can create with us a training more suited to their warm up and strengthening sessions. Nevertheless, most of all, we would like to propose to the participants a journey in search of their real vocal potential, of all those territories that have not yet had the opportunity to explore for various reasons (psychological conditioning, false beliefs, fragile technique).
Together, we will make a journey in search of our lost voice.
 

ROME Monkey Mood from the 14th to the 16th of October 2016

With this interpretative research lab, I would like to access to very complex situations and emotions through the means of the theater, trying to get as close as possible to a "truth" of other eras, far from the styles and fashions of the current acting methods. Addressed to professional actors, it seeks the refinement of basic acting techniques, (vocal technique, movement studies, acting) through practical exercises in Italian.

ROME Officine Pasolini from the 6th to the 9th of June 2016

From the 6th to the 9th of June the director and actor Daniele Salvo holds an intensive workshop with the students of #Theatre section of Officine Pasolini, focused on the use of body and voice, through the work of Euripides, "The Bacchae", especially working on the chorus, using the voice in an unconventional way. Daniele Salvo, one of the most authoritative Italian directors regarding the reinterpretation of Greek tragedies, has worked for 25 years on voice and sound in its most diverse forms.

Rome, 25 September - 3 October 2015

The Workshop is aimed exclusively at professional actors and it focuses through practical exercises on the use of the vocal technique, the study of movement and interpretation. These exercises will study: The deep analysis of the text. The definition of the relationships between the characters. The use of rhythm in the Italian language. The re-accentuation of the syllables for expressive use in the spoken voice. The use of vocality. The affective memory and emotional memory. The tragic words. Physical and vocal training. Acting and training: Daniele Salvo. Vocal coach: Melania Giglio

CRAIOVA (Romania) National Theater from the 1st to the 10th September 2015

Workshop themed The Bacchae, performed at the institution’s headquarters, by Italian director Daniele Salvo. He has worked with the renowned Italian director Luca Ronconi for 15 years and staged theatre plays in Romania as well. For the ”Julius Caesar” show, Daniele Salvo was awarded the Vilarosa Award in 2007, and was a laureate of the Persefone Award for theatre and television.